When Venus burns
beneath the moon
And dawn ignites
the mountain snow
My thoughts will always
turn to you
And I’ll be thankful
for our love
Author: Bev Tappan
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KEYSTONE DEC ’89
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REFLECTIONS: CONSTRAINTS
Songs in the car, my mother’s mellow contralto
The white fringe of birches framing Lake Chocorua
Her trudge up the Jewell Trail wearing a dress:
Calling out blazes on granite slabs
Spying the next cairn, the misty channel
Marker – or so I like to recall although
In truth my father may have been ahead.How I resented the leash that reined me to them
After my toddler’s wobble toward the road
Where Model T’s jolted like windup toys.
The clothesline pulley ran me like a dog.
I was the bass my father trolled for what
Seemed hours in lucid lakes of northern Maine.
“You are all we’ve got, ” he often said
Spanking me whenever I crossed the street.Today my mother came home from the hospital
Short of breath, unsure of the order of pills.
I cooked and laundered, fetched her water and kleenex
And snapped at the choke chain tightening on my neck
The way our shepherd balks at the door of the pen
Until we looked at curling photographs:
Her home-made lacy graduation dress
The boy with his bicycle twenty-five miles from home. -
REFLECTIONS: DAILY REMINDERS – MAY 28, 1989
Unruffled sheets on half the bed
Manure and compost piles unspread
No woodchips on upholstered chairs
No wads of mud on cellar stairsA pair of running shoes unfilled,
The ergometer counter stilled
Computer monitor unscribed,
Animal carvings undefinedThe silent eight-day clock unwound,
No need to ring the dinner gong
No answer to the office phone,
A truck with no commute from homeThe waxplant tolls its heavy blooms
Their midnight scent invaded the rooms. -
REFLECTIONS: COUNTERPOINT
I ask myself why Baroque music
Is the music for me
Why not Tchaikovsky but W.A. Mozart
Is my main man
And not just for the horn passages
Sweet as they areStravinsky says all eighteenth century
Music is to dance by.
It’s true my feet prance off without me
At the opening measure
Of any toe-tapping tune and especially
Contra dancingWhere men and women take their turns
Meet and separate
Do their things and greet their friends
Together and apart
Grand right and left and swing your partner
On equal terms.Baroque music is like that: two voices
Male and female
In animated cross-talk. The flute
Makes a remark.
The harpsichord agrees and amplifiesOr the bas viol asks a question
The violin responds
And off they go in joyful repartee.
If daughters could talk
With fathers like that they’d grow up
To be happy women. -
REFLECTIONS: HELGA’S SONNET
He garlands her with white arbutus in spring
And she is Frigga, Venus of Scandinavia.
Through drowsy summer days he paints
Her flesh pearly and smooth as silken linings
Of conch shells, her long limbs loose in sleep.
But fall diminishes her. A lesser wood nymph
Under a maple leaf, Persephone sliding
Back into earth, she moves away from him.
Against the black winter oak in her army
Cape she deflects his gaze with the icy eyes
Of Freyja, Prussian queen of slaughtered warriors.
Over the years his drybrush explores the ripened
Wheat of her hair, the Viking angles of her features.
The unsmiling mouth at last defeats him. -
REFLECTIONS: THE SUNSET YEARS
That season of my life I now can savor
When goldenrod on every back road border
Ignites its solar flares, and purple asters
Lift their wine in one last toast to summer.My sugar maple leaves illuminate
The swamps where darning needles copulate.
My milkweed pods are tightly packed to labor
And let fly seeds on any passing vapor.Meteors arc across my inner spaces.
Unblemished roses baptize me with fragrance.
The wild geese point to south my weather vane
This is the time for riding hurricanesBefore the tawny grasses crystallize
Before the long dark winter nights arrive. -
TRAVELS: GIBRALTER
Several months ago, the British
Unlocked the mainland border gates.
Workers can go freely home at night.
Tourists cross by bus as well as boat.
Spain has access to her own peninsulaThe taxi takes us mile by mile
Into the garrisoned warren, the tunneled
Ant like arsenal. Pirates, moors,
Spanish, Germans, British and French
Drowned in flames for this barren rock.Within numberless caves carved
By wind and water, some as vast
And domed as cathedrals, limestone pillars
Refracting thin aeolian chimes,
Neanderthal families gathered by their fires. -
TRAVELS: PERUVIAN PORTRAITS
Patrician as a Spanish grandee,
The Andean grandfather gazes
At llamas, alpacas and sheep
Weighing their fleece. His mouth
Is firm under a Roman nose.
Long eartlaps of a knitted
Chulpa frame angular
Cheekbones and a gray moustache.He no longer plays soccer,
Inhaling the sparse oxygen:
His air fuel- injected
By high-octane hemoglobin.
His chest is now concave.
The serape slopes over shoulders That will carry the village sheep
At Sunday mass to the padre.His wife has worked up a smile
For her grandson the artist, eyes Squinting in sunlight unshaded
By the upright salad bowl,
A scarlet melon slice,
Crowning her gray hair.
Rolled into a warm collar,
Her blanket comforts old bones.She keeps her hands busy
Pulling and twisting wool
On a spindle. She often laughs
With neighbors at weekly markets
Buying potatoes and beans or
Sipping a glass of chicha.
She pacifies great grandbabies
with chunks of sugar cane. -
NEW ENGLAND: APRIL IN NORTH STONINGTON
On Lantern Hill the shadbush blooms
And clouds meander overhead.
The rocks are rough beneath my boots
The lichens stiff beneath my hand.A small black-suited butterfly
Imbibes the blossoms airy mead.
I watch the redtails hover by
Stretch out my legs and take my ease.I’ve heard that when the shadbush blows
The shadfish breast New England stream
Their frail white petals brush my nose
Among the still-emerging leaves. -
TRAVELS: SEQUOIAS
Just to know they are there,
Earth’s gentle giants:
Gripping the ground with aged
Swollen joints, mahogany
Leathered, hairy, wide
As a circle of sixteen people outspread arms, cloning
Their young, cedary skyscrapers
Journeying back and forth
As we explore from our roots:
Calmly outliving, ignoring
The rise and fall of nations
Quiets the racing pulse
Unwinds the atomic clock. -
TRAVELS: SAINT JOHN
John Muir danced over glaciers. He
Hunkered down to chat with new
Acquaintances among the plant people and
Grieved when they drowned in damned reservoirs.Coatless, he bedded under bent boughs,
Warmed by climate-changing campfires.
Emerson missed his invitation to breathe
The star-spangled midnight air.Thoreau would have leaped onto the ledge
Behind the waterfall to view the moon bow.
“Hang on,” John tells us. “Jam your fist
In the crack. Scrabble for toeholds.Sway in the storm, rooted in wildness Eat apples and look at the larkspur, ” As his mother advised. Above all,
“Savor the taste of good bread. “ -
NEW ENGLAND: LOOKOUTS
The windy hills New England farmers took.
Along with slamming doors and rattling panes
And blasts of blizzards off Laurentian plains,
For a broad and various, free, egregious outlook.No stifling hollows air for high land lovers.
A hill borne, clear keen wind the chest unbands.
Roots and fruits rot in unstirred low- land damps.
The soul also, closed in, molders and smothers.Site seekers on the ridge roads envy the views
These many-windowed farm homes gleam to behold
At dusk they eastward gaze to find the gold
Of childhood dreams mirrored in glassy hues.